These words, the chorus of the song “Above All,” have echoed in evangelical churches far and wide. On the whole I like the song, it’s first two stanzas testify to the universal sovereignty of God. However, as it enters the chorus, the sweeping sovereignty of God appears to be displaced by a form of sentimentalized love that is all too common in our self-exalting century.
The theological problem that some have with this song comes at its climax, the point that the whole song drives towards. In that final line, “Above All” ostensibly leaves the high ground of God’s sovereignty (“above all kingdoms / above all thrones / above all wonders the world has ever known”) to frolic in the marshes of ego-boosting self-esteem (God “thought of me above all”).
Intended to express breadth, length, height, and depth of God’s unfathomable love, Michael W. Smith’s lyrics come close to severing the root of God’s love by leading the chorus to sing that God in his love thought about me “above all.” I say close, instead of actually committing the act, because I think upon closer inspection “above all” in the chorus should be delimited by the earlier “all” statements.
Tomorrow, I will show how I think “Above All” can serve as a God-exalting worship song, but today let me unpack the theological truth that has led many to take issue with this song, namely that the highest purpose of the cross is not directed towards man, but towards God himself. Continue reading