Beginning with Psalm 93, we enter a new phase in Book IV. Namely, we find selection of seven psalms (93–99) that herald the enthronement of Yahweh as king (Yahweh Melek) and one psalm (100) that brings us back to courts of the temple, where worship is renewed. Significantly, these psalms move from Israel’s exile to the hill of the Lord, and more decisively, these psalms show God himself returning to Zion and bringing his people with him.
If the arrangement of the psalms is to be taken into account, worship culminates when the people of God are brought into God’s temple, as he sits enthroned on his holy mountain. This second temple location—a point I suggested earlier this week—is seen in Psalm 100:4, as it states, “Enter his gates with thanksgiving, and his courts with praise!” Gates and courts imply Israel’s return to the temple. Yet, even more explicitly, Psalm 99:9 reads, “Exalt the LORD our God, and worship at his holy mountain . . .” In this final verse of Psalm 99, we find the set up for Psalm 100.
In fact, as we can see in the graph below, every psalm in this section (Psalms 93–100) is “set up” by the last verse of the preceding verse. Such connections reinforce our confidence that these Psalms present a redemptive-historical narrative, and one that leads from Israel’s Babylonian Captivity (Ps. 89) to the restoration of worship in God’s temple (Ps. 100–106). Indeed, the Psalms display an incredible (chrono)logical ordering, and when we look at Psalms 93–100, we see this in the way each psalm prepares the way for the next, until the whole section tells how God is enthroned in Zion.