In preparation for Sunday’s sermon, here are ten things about Psalm 29.
1. Psalm 29 is the third creation psalm and third “mountain top” in Book 1 of the Psalms.
This point is easier to show than to tell. In the following graphic, we see how Psalms 8, 19, and 29 stand at the center of various chiastic structures (“mountains”) in the Psalter. (You can hear how this outline works here).

Arranged in this way, we might read Psalms 8, 19, 29 together and see how the God of creation was to be worshiped by mankind (Ps 8), in response to the word of God (Ps 19), and in the temple (Ps 29). Even more, we can see how glory connects these creation psalms together.
Psalm 8 says God crowned mankind with glory and honor. Psalm 19 speaks of God’s glory displayed in creation. And Psalm 29 speaks of God’s glory coming into the temple. In all of these ways, we discover how manifold God’s glory is.
2. The creation imagery of Psalm 29 recalls the ancient battle songs of Israel.
For instance, the Song of the Sea (Exodus 15) uses creation imagery to describe God’s power to destroy his enemies. Deborah’s song (Judges 5) does the same. And according to Derek Kidner, this is a common way ancient Near Eastern songs were composed.
Early Canaanite poetry was similar in this respect.. Whether David was building the psalm out of an ancient fragment, or turning to a style that would recall the old battle-hymns of God’s salvation, the primitive vigour of the verse, with its eighteen reiterations of the name Yahweh (the Lord), wonderfully matches the theme, while the structure of the poem averts the danger of monotony by its movement from heaven to earth, by the path of the storm and by the final transition from nature in uproar to the people of God in peace. (Psalms 1–72, 142). Continue reading
In preparation for Sunday’s sermon on Psalm 32, here are ten things about David’s confession of sin that leads to joyful song.
On my shelf I have a Celebration Hymnal: Songs and Hymns for Worship. It was published in 1997, foreworded by Jack Hayford (Pastor of The Church on the Way), and intended to provide “tools for ‘blended worship'” (from the Preface). Consisting of 865 selections, it combines new songs and old hymns, Scripture readings, and even various calls to worship.
From the pattern of Moses and the Old Testament priests to the teaching ministry of Jesus, biblical exposition has a long track record in redemptive history. In the New Testament, the citation and explanation of Scripture (i.e., biblical exposition) continued. And this is most evident in Acts and Hebrews, the two books we will focus on here.
The Old Testament is the not the only place where we find expositional preaching. Jesus himself preached expositionally. In fact, he was more than an expositional preacher, according to John John 1:18 he literally ‘exegeted’ the Father, meaning that he explained, exposed, and revealed the character of God in his very life and person.
Why is biblical exposition necessary?
It has been said, “There is no genuinely good preaching except exposition.” Such serious words require us to consider what expositional preaching is and why it is so important that preachers commit themselves to this kind of preaching.