The Hill of Eden: Seeing the Topography of Genesis 2–4

mountainous valley with evergreen forest against misty sky

In recent weeks, my sermons on Genesis 3–4 have made much of the fact that the Garden of Eden is found on a mountain. In recounting the drama of Adam, Eve, the Serpent, and the Lord (Genesis 3), as well as Cain and Abel (Genesis 4), I have argued that the topography of Eden plays an important role. For example, when Cain’s face was downcast (Gen. 4:5), I have argued that he is looking down the mountain and away from God. Equally, when God told Cain to look for the sin offering, lying at the door of the Garden, he was calling him to look up the mountain from where his help would come (cf. Psalm 121).

Long story short, the theme of mountains in the Bible cannot be underestimated. Just this morning, I was pondering the way mountains play a role in Matthew (cp. Matt. 4:8; 17:1; 28:16). Maybe I’ll write something on that soon. For now, however I want to help studious Bible readers to see how Genesis 2–4 should be read with topography in mind.

So, in nine strokes, I will attempt to demonstrate why I believe Scripture presents Eden as a mountain sanctuary, and also why this matters for understanding the events of Genesis 2–4 and beyond.

First, the Bible explicitly calls Eden the Mountain of God.

In Ezekiel 28, the Lord addresses the King of Tyre, and in his oracle of judgment, the Lord identifies the wicked king with Adam in priestly garments. In vv. 13–14 he writes,

You were in Eden, the garden of God; every precious stone was your covering, sardius, topaz, and diamond, beryl, onyx, and jasper, sapphire, emerald, and carbuncle; and crafted in gold were your settings and your engravings. On the day that you were created they were prepared. 14 You were an anointed guardian cherub. I placed you; you were on the holy mountain of God; in the midst of the stones of fire you walked. . . .

He continues in verse 16, saying, “so I cast you as a profane thing from the mountain of God, and I destroyed you, O guardian cherub, from the midst of the stones of fire.”

Now, there is debate about who this figure is. Who did God cast down from the mountain? Is it a reference to Adam or to one of the guardian cherubs? That’s a good question, and I generally follow the line of thinking offered by the NET translation.[1] But for now, that question is not the point.

The point at issue is that Ezekiel makes it unmistakable: the Garden of Eden resides on a mountain. And the Prophet of Israel understood it this way because Genesis 2 makes it evident that the Garden stands below the spring of living water (at the top of the mountain) and above the fields, which enjoy the water of four rivers. Continue reading

Well, Well, Well, Look What We Have Here: A Marriage, A Mountain, and a Messiah (pt. 2) — A Sermon on John 4:16–26

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Well, Well, Well, Look What We Have Here: A Marriage, A Mountain, and a Messiah (pt. 1) —A Sermon on John 4:16–26

Where do you worship? And why? Does the location of your worship matter? Or is it a matter totally inconsequential? When you worship, are you intentionally addressing the Father, the Son, and the Spirit? Or can you simply focus on God? Moreover, are you satisfied to worship alone? Or do you need—are you required—to worship with others?

The more you think about worship, the more you realize how much goes into answering questions about true worship. And the more you let Scripture speak to you on these matters, the more you realize how clearly Scripture says about how, who, and where you worship. You may also realize how much the church has not spoken clearly about worship.

In Scripture, there is a  sense in which we worship everywhere we go. As Romans 12:1–2 says, we are living sacrifices who can and should worship God at all times and in all places. Yet, this everywhere-ness of worship is not something that ancient Israelites, living under the old covenant, would have understood. And maybe it is something that our place-less society needs to recover. For just because Christians do not need to make pilgrimages to the Holy Land, does not mean place is unimportant.

Indeed, prior to Pentecost worship was always conducted on or at a mountain. Such worship may have been true or false, pure or defiled, but worship had a place. And more than a place, worship had a people. In all of the Old Testament (and the New), worship was never an individual affair; it was always shared with other members of the covenant community. Knowing these facts helps us appreciate what is happening in John 4. Continue reading

One Assembly: A Biblical View of Gathering

worms eye view of spiral stained glass decors through the roof

This Sunday our church is making plans to go outside to hold one service in our parking lot. Last year, from May until November, we took up this practice in order to meet under Covid guidelines. Along the way, a strange (read: providential) thing happened: We saw in practice what we held to be true in theory, namely that the single gathering of God’s church is God’s good design for his local church.

Since our church entered its building in 2005, we have had two Sunday services. But over the last year, we have grown dissatisfied with this practice. We believe Scripture calls the church to assemble as one body, and we are now planning (in the present) and praying (for the future) for ways to assemble as one.

On our church blog, I explain some of the history that resulted in multiple services, but for this post, I want to consider a biblical argument for gathering as one assembly. In particular, I want to offer three reasons for a local church to hold one service, not multiple services, on the Lord’s Day—one from the Old Testament, one from the New Testament, and one from our contemporary non-application of Scripture. These three arguments do not exhaust the subject, but they do give us a place to begin thinking about how our decisions about assembling the church are not inconsequential. Just the opposite, how we gather says something about what we believe about God and his purposes in the world. To that end, let’s consider three reasons for gathering as one.

Continue reading

A Heart for Excellence: Thinking Biblically about Skill in Singing

sven-read-4yZGWYCul-w-unsplashSing to him a new song; play skillfully on the strings, with loud shouts.
— Psalm 33:3 —

They were all under the direction of their father in the music in the house of the Lord with cymbals, harps, and lyres for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king. 7 The number of them along with their brothers, who were trained in singing to the Lord, all who were skillful, was 288.
— 1 Chronicles 25:6–7 —

So, whether you eat or drink, or whatever you do, do all to the glory of God.
— 1 Corinthians 10:31 —

To each is given the manifestation of the Spirit for the common good.
— 1 Corinthians 12:7 —

Music is a gift from God. And in the church, those gifted in song are given by Christ to build up his body. To that end, those who lead the church in song should serve with true faith, pure hearts, and skilled hands. For various reasons, the combination of head, heart, and hands is not always easy. But it is something we should pray for and work towards

To that end, I offer the following eight points on the place of skill in song. These eight points summarize a larger article on the biblical necessity of excellence in music. (You can read that article here: True Worship Includes a Heart for Excellence.) Let me know what you think of these eight points, and/or what you would add or improve. Continue reading

At Christmas Don’t Lose Jesus’s Divinity: Celebrating the Incarnation with ‘Extra’ Care

pro-church-media-kSjsDWDn3WM-unsplashWhat happened was that at the incarnation, while continuing to exist eternally in the form of God, He added to that by taking the form of a servant.
— J. N. D. Kelly —

 Given the importance of the extra in historical theology, it is surprising how quickly it is rejected or replaced with something else. The extra is crucial in helping the church to explain the full scope of the Scriptural presentation of the incarnation and how the Son functioned in and through both natures,
— Stephen J. Wellum —

At Christmas we celebrate the birth of baby Jesus. And with candles glowing and carols singing, we draw near to the babe born of Mary and celebrate the fact that God is with us—Immanuel.

At the same time, when we celebrate Christ’s condescension, there can arise a significant misunderstanding about Christ’s humanity. In song, as well as sermon, we find lyrics that describe Jesus “leaving heaven,” or not knowing about why he is coming to earth—“Baby Jesus, do you know you will die for our sins?”  These boilerplate Christmas tag lines, but are they true? Do they faithfully represent the miracle of the Incarnation?

On the surface, they may sound fine. They praise God for Christ’s birth and his sacrificial mission to bring salvation. Yet, when we probe more deeply, it becomes apparent lyrics like these and many unchecked thoughts about the birth of Christ assume beliefs that have often been described as heretical in church history.

In particular, Christmas has a way of unwrapping the kenotic heresy—the belief that when Jesus emptied himself (ekenōsen) and became a man,  he also left many (or all) of his divine attributes behind. The theory, expressed in many ways, asserts that for the Son of God to become human, he must set aside his omniscience, his omnipotence, and his omnipresence. After all, true humanity does not uphold the universe, right?! For Jesus to be fully human then, his humanity must be fixed in one place, ignorant of many things, and unable to do all the things that God does. Continue reading

Rhythms of Grace: Three Reflections on Worship

sarah-noltner-F5-Z1H7lJaA-unsplash.jpg[This post is written by Matt Wood with a little help from me. Matt is a member at Occoquan Bible Church, where you will often find him engrossed in discussion about theology and leading our congregation in song.]

Do you find yourself in God’s gospel story week to week?

How does the gospel inform worship?

What should we include and exclude in our Sunday morning services?

These are just a couple of the questions Mike Cosper answers in his book, Rhythms of Grace: How the Church’s Worship Tells the Story of the Gospel. Written by a pastor who has led music in the church for decades, his book is fantastic for all worshipers in the church. In what follows, we will see three points about worship from Cosper’s illuminating book. Continue reading

The Happiness That Godly Sorrow Brings: Ten Things About Psalm 32

10 thingsIn preparation for Sunday’s sermon on Psalm 32, here are ten things about David’s confession of sin that leads to joyful song.

1. Psalm 32 is a hybrid psalm containing elements of thanksgiving and wisdom.

Gerald Wilson calls Psalm 32 a “psalm of thanksgiving coupled with instruction encouraging the reader not to resist the guidance of Yahweh but to trust him fully” (Psalms Vol. 1544). Likewise, Peter Craigie concludes Psalm 32 is “a basic thanksgiving psalm [that] has been given literary adaptation according to the wisdom tradition” (Psalms 1–50265).

For those who read the Psalm devotionally, not academically, the classification of the Psalm does not matter as much as how the elements of thanksgiving and wisdom work together. In the flow of Psalm 32, thanksgiving leads to instruction and words of wise counsel arise from God’s forgiveness for which David is thankful. In this way, it is helpful to see how thanksgiving and instruction reinforce one another in Psalm 32 and our lives. Continue reading

How Long O Lord?!? Teaching the Laodicean Church to Lament (Psalm 13)

bythebook04How Long O Lord?!? Teaching the Laodicean Church to Lament

The Psalms are filled with all sorts of praise and worship, yet one of the most prominent are psalms of individual and corporate laments. Unfortunately, these psalms of sorrow  rarely become our standard words of comfort and encouragement—rarely, until tragedy strikes. And then they become a lifeline for the sinking believer.

Corporately, these Psalms also find limited use. When the typical American church gathers for worship, we are accustomed to positive, upbeat sermons and songs. For reasons deliberate and otherwise, these sad songs get little time. Yet, as I tried to show on Sunday, this absence of lamentation marks a distinct loss for the Christian and the church.

By contrast, the regular practice or lamentation and confession provides a needed antidote to the superficiality of our age and it teaches people to worship God with every emotion. For that reason our church considered Psalm 13 and the need to express sorrow in corporate worship.

You can listen to the sermon online. Response questions and additional resources (including two songs on Psalm 13) can be found below.

Soli Deo Gloria, ds Continue reading

The Hole In Our Praise (and Lamentation) and Worship

chuttersnap-6jkiVl4mwws-unsplashOn my shelf I have a Celebration Hymnal: Songs and Hymns for Worship. It was published in 1997, foreworded by Jack Hayford (Pastor of The Church on the Way), and intended to provide “tools for ‘blended worship'” (from the Preface). Consisting of 865 selections, it combines new songs and old hymns, Scripture readings, and even various calls to worship.

Yet, what is strikingly absent are songs or Scriptures devoted to lament or confession. Instead The Celebration Hymnal celebrates all that the triune God has done. But it’s consistent tenor only highlights the good news of God, without considering the bad news of sin and he reason why humanity needs salvation.

For instance, the opening section of “Songs and hymns for worship” are categorized under nine headings:

  • Praise the Lord
  • Exalt the Lord
  • Bless the Lord
  • Adore the Lord
  • Glorify the Lord
  • Magnify the Lord
  • Worship the Lord
  • Give Thanks to the Lord
  • The Family at Worship

These stunningly positive categories of song are inter-leafed with Scripture readings to make up the first 201 selections. Likewise, under the category “Walking with God,” we find 12 categories:

  • Faith and Hope
  • Aspiration and Consecration
  • Assurance and Trust
  • Commitment and Obedience
  • Comfort and Encouragement
  • Prayer and Devotion
  • Purity and Holiness
  • Stewardship and Service
  • Guidance and Care
  • Provision and Deliverance
  • Spiritual Conflict and Victory
  • Peace and Joy

These sections compose more than 200 songs and Scriptures (526–752), and provide a well-rounded corpus of songs dedicated to different areas of faith, hope, love, and holiness. Yet, what remains absent is any mention of lamentation, sorrow, or pain, as well as any explicit mention of sin and confession.

Songs of “repentance and forgiveness” find four spaces under the category “New Life in Christ.” But these four songs are overshadowed by the ten songs of “invitation and acceptance” and eleven songs of “witness and and praise” in the same category.

To be fair, these themes are addressed in various songs throughout the hymnal. I confess, I haven’t read the whole book. But what I am interested in does not require a full reading but a look at the organization which the publishers supplied.

It is instructive that lamentation and confession did not make it into the arrangement of The Celebration Hymnal. While lamentation is a key biblical theme, only two Psalms of Lament are even cited in The Celebration Hymnal. And tellingly, those selections are from the vows of praise. Nothing comes close to the cries of dereliction or the screams for salvation that are found in Psalm 13, 22, 88, or 89. Continue reading

On Earth as It Is in Heaven: Seeking a Biblical Pattern for Worship

worship.jpegIf Scripture stands against our natural and cultural bent towards innovative worship, it also provides a biblical pattern for the kind of worship God requires. Last week I considered the first problem—namely, the problem(s) with man-made worship. This week, I want to show how a pattern of worship repeats throughout the Bible.

Actually, Jonathan Gibson has provided this biblical-theological survey already. In his chapter “Worship On Earth as It Is in Heaven,” in Reformation Worshiphe traces a basic pattern of worship from Genesis to Revelation. In what follows, I’ll employ some of his findings to help us see what “biblical” worship looks like.

Worship in Eden: The Basic Pattern

The basic pattern of worship begins even before the Fall. In Genesis 2:15–17 Adam is commanded to “serve” and “guard” in the garden-temple of Eden. These verbs are used later to speak of the priestly service of Levites. From the light of later revelation, we can see worship is not something that emerged after redemption. It was the reason why God made humanity in the first place.

And thus, Jonathan Gibson lists the basic elements of worship like this:

  • Call to Worship (through God’s Word)
  • Response (by faith and obedience, love and devotion)
  • Fellowship meal (union and communion with God)

Reflecting on this prelapsarian (i.e., before the Fall) worship, he states,

Adam was commanded to fast from one tree in order that he might feast at another three, and thus enjoy consummate union and communion with God—everlasting life. And so, for Adam and all his descendants, a liturgy was fixed, stitched into the very order and fabric of human life on earth: call–response–meal. (4) Continue reading